Brothers

I started listening to The Black Keys around 2006, I asked a friend if he had heard of the band. His response went something like this: "yeah, I've heard them, I don't really like them though, they sound like a White Stripes rip-off". I was appalled. Numb-skull statements of this fashion are my inspiration to write about music. If that is the best that people can come up with, I think i can offer a little bit more constructive thinking to the topic.

Brothers is the sixth studio offering by the musical duo of drummer Patrick Carney and guitarist/vocalist Dan Auerbach from Akron, Ohio, released on Nonesuch Records. The Keys sound has clearly evolved from early efforts like 2003's Thickfreakness which was characterized by the simple formula of heavy drumming and raw guitar licks. Much like 2008's Attack and Release, this album bears all the elements of refined production. It is peppered with backing female vocals, organs, xylophones, sound effects, and most songs have a distinct bass line. Simplicity is still the key ingredient to the Black Keys sound, but they've added some nice layers to create an album that built more on finesse rather than raw power.

The album opens to the steady rhythm of "Everlasting Light" and features Dan singing a high pitched harmony backed by a female vocalist. The next three tracks provide the definite high point of the album starting with the anthemic "Next Girl". Danger Mouse, who produced Attack and Release, returns to produce "Tighten Up" and his influence is obvious. The opening whistling sounds could easily have been ripped from a Gnarls Barkly album. "Tighten Up" also highlights Patrick's distinct drumming ability. Like "Next Girl", "Howlin For You" features the Keys at their best: a simple guitar riff on top of a foot-stomping drum beat plus Dan singing about the pains of a woman. The album takes a nice change of pace with the bluesy instrumental "Black Mud" and returning to high pitch vocals and adding the organs to "The Only One."  "Ten Cent Pistol" drops the heavy distortion sound for some distinct guitar picking but then brings it right back for the I'm-a-bad-boy track "Sinister Kid". The last four songs are somewhat disappointing as the album just kind of mellows out and trickles off. They are still good tunes, "Never gonna Give you up" has a motown sound to it and "These Days" is a solid effort to close the album. But there isn't a real rocker in the second half.

As a whole, I'm very pleased with the latest release from The Black Keys. The trend in rock these days is side projects, dipping your little musical fingers into other sugar jars outside of your primary group, and Patrick and Dan seem to be on board with this philosophy. Dan released a successful solo album in 2009 and Patrick organized a collaborative effort in which he played bass in a band called drummer. The two joined forces with several hip-hop artists to release Blakroc, an interesting album that attempted to integrate rock with rap. The live shows to support this album should be great as the Keys revert back to the drums/guitar only sound without all the support of a recording studio. It will be interesting to hear how they interpret their new recording on stage and I relish the opportunity to find out.